My body of work involves the process of fracturing and expanding photographs through collage, textiles, and installation to explore ideas of ecology and disrupt the image as a stable entity. Drawing inspiration from contemporary photographers the likes of Aimee Beaubien and nineteenth-century textile designers William and May Morris, I aim to push the photograph beyond the frame and utilize floral motifs reminiscent of the arts and crafts movement. My photographs often depict organic materials such as flowers, vegetables, fruit peels, and seeds. These images inhabit a space between abstraction and figuration. In an active state of transformation devoid of stable space for the eye to rest. Through installation, I combine photographic processes with sculptural sensibilities which engage the space they inhabit, such as the semi-transparent photographic prints which cast imprints onto the wall as light passes through it or the use of embroidery directly onto the print whose stitches pierce and fracture the image. By the unconventional application of hand-craft techniques and material manipulation, I explore the photographic image as a vibrant space in flux.